When someone mentions ‘Manchester’, iconic ground-breaking bands including The Stone Roses, Oasis, The Chemical Brothers, and arguably alternative music founders The Smiths pop into your head. Now False Advertising want to join the list of credible groups originating from the city, and join the list of bands that people will remember by the next generation. Forming two years ago, the group’s members have kept a low profile, working hard to produce their debut. Since finally unveiling songs online three months ago, Manchester has held its breath in anticipation for a full album, and the wait is almost over, with their self-titled effort scheduled for release on the 4th September.
Unfortunately, the first two tracks of False Advertising, although not necessarily weak songs by no means, are in my eyes a poor decision to open a debut with. First track Breaker does deliver a dark brooding mysterious sound, but vocal, from Jen Hingley, and instrumental alike create a sound all too commonly afflicted with the grunge genre, and ultimately it falls more into the mould of album filler rather than a lead track. Similar words can be expressed about Another Mention – the addition of distortion experimentation works, but overall the track is relatively limpid and I wasn’t wooed by it either.
Don’t let an average beginning put you off the rest of the album; third track Wasted Away turns the fortune of False Advertising’s debut around, and ensures that listening to it isn’t a waste of your time. With a chord sequence almost identical to Lived A Lie by You Me At Six, the riff is catchy, and to new listeners is the perfect introduction to the band. Wasted Away is a leading album track that should have been. Dozer awakens you to a riotous sound which is perfect chaos – screeching guitars and a sneering whip of “it’s not your fault” provides one of the highlights of the album, and hails similar to striking songs from growing grunge prowess Wolf Alice. Following track I Don’t Know again incorporates distortion into Chris Warr’s vocals as he for the first time take command of lead vocals, a smart move which proves far from rebarbative.
Although False Advertising falter on track All Of The Above due to its feckless sound that as a consequence leaves its fate no more than album filler, the album ensures a swift recovery with tracks Cold Shoulder and No Good, laced with dramatic bass from the brainchild of Josh Sellers that draws you into the songs. Jen unleashes rueful emotion on Only Way, vocals that craft a sincere grunge ballad. Finish Line, ironically named as it is actually only the penultimate song, instantly reminded me of a criminally underrated song you find pre-installed on new smartphones, and becomes your own little musical highlight secret. Eventually the finish line is reached with closing track Something Better – with an infectious chorus and enticing guitar melody, it’s a song which is the best possible the album could end by.
Despite a slow start and occasional stumbles, in the end False Advertising is a grunge victory, and ends on a high. It may not propel them to the heights of Manchester’s finest just yet, but it will win them a league of fans.
You can stream the album below.
False Advertising by False Advertising